
Anna Galkina, Untitled, 2013. Collage courtesy of the artist

Anna Galkina, Untitled, 2013. Collage courtesy of the artist
I address you all as a friend who has been burdened with the responsibility to speak above others.
I will say to you, my friends, that whoever has ambition to be heard in a crowd must press and squeeze and thrust and climb with indefatigable pains, till he has exalted himself to a certain degree of altitude above them. To this end, the philosopher’s way, in all ages, has been by erecting certain edifices in the air.
Therefore, towards the just performance of this great work, there exist but three wooden machines for the use of those orators who desire to talk much without interruption.
These are: the pulpit, the ladder and the stage.
After conversing with Jonathan Swift, I have chosen, in order to emphasize my minor short comings so that you will not notice my larger ones, to employ the use of all three of these wooden machines; the lectern being the secular cousin of the pulpit. The purpose of this activity is to both elaborate and enact what I am calling a practice of reading.
[take out ladder and stand on it behind lectern]
If you take a city such as Salonika or Smyrna, you will find there five or six communities each of which has its own memories and which have almost nothing in common. Yet the essence of a nation is that all individuals have many things in common; and also that they have forgotten many things. No French citizen knows whether he is a Burgundian, an Alan, a Taifale, or a Visigoth, yet every French citizen has to have forgotten the massacre of Saint Bartholomew,’ or the massacres that took place in the Midi in the thirteenth century. There are not ten families in France that can supply proof of their Frankish origin, and any such proof would anyway be essentially flawed, as a consequence of countless unknown alliances, which are liable to disrupt any genealogical system.(1)
Ernest Renan. What is a Nation? Lecture given at the Sorbonne, 1882.
This is an idea inspired by a comment about Cairo’s City of the Dead as a place where the goal is to celebrate the absence of judgment, which is to be left for God(2) and, in many other people’s case, in God’s absence. Such places are not necessarily endemic to the religious classification of death and are also not endemic to the culture of idol worship. This text is nothing but an attempt to try and encourage a similar aspiration and joy towards an abandonment of judgementalism in social spaces without discussing participation. The example of the migrancy of people from the countryside to the necropolis not being borne out of a desire to participate but out of a socio political pragmatism and human despair or other psychologically inconsistent motives.
1. Self-profiling.
A few days ago a friend of mine wrote to me: "I heard that you had a Facebook fight with ****, a rising star of Italian journalism. Be careful, it might be dangerous for your career."
My friend was right. I don’t know how many times I told myself: be more cautious, post a comment only when necessary. Click "like" only when it's not compromising. Avoid acid and polemical language.
It never worked. Most often, compulsion prevailed.
My only cold comfort is to know that I am not the only one afflicted by this weak spot. Another friend of mine once confessed: "When I read most online newspapers I get a surge of anger... Sometimes I can't help to speak out my mind, to do sharing, sometimes to insult. But for my job it's embarrassing. Sometimes I create fake profiles. Or I keep myself anonymous."